I’m Just A Ray Of Fucking Sunshine Shirt

Today marks the I’m Just A Ray Of Fucking Sunshine Shirt so you should to go to store and get this announcement of Love Blindly’s first campaign: LOVE = LOVE, a series of high quality, limited edition T-shirts and accessories accompanied by a visionary concept aligning fashion with a message of kindness and compassion If Pawpaw Cant Fix It Were All Screwed shirt. Love Blindly is a platform designed to launch campaigns that inspire a collection and contribute to selected partnership causes. With LOVE = LOVE, 10% of each purchase is contributed to a cause or organization of choice. At the end of the campaign, Love Blindly will match the total dollar amount to the organization that received the most contributions. “LOVE = LOVE is not a political statement but a celebration of a universal human experience and the unique bonds that comprise our humanity across cultures — perfectly equal.”Founder, Olufemi Ibitayo first collection was inspired by a Braille tattoo of the word LOVE and an African proverb, “A man that cannot see with his heart is blind.” The curated collection of limited edition T-shirts and accessories express this simple truth with a signature design element: Braille, a form of written language in which characters are represented by raised dots felt by the readers’ fingertips. The use of Braille as a design element speaks to the ethos of love without distinguishing color or culture. The result is a simple yet thoughtful emblem of compassion.

I’m Just A Ray Of Fucking Sunshine Shirt, hoodie, tank top, sweater and long sleeve t-shirt

For the I’m Just A Ray Of Fucking Sunshine Shirt so you should to go to store and get this liner notes to No One Cares What You Folded shirt. the peerless comedy duo Nichols and May’s 1959 album Improvisations to Music, Elaine May famously provided the following terse bio: “Miss May does not exist.” At the time, May and her partner, Mike Nichols, were beginning their meteoric rise as the smartest, most literate, and funniest—not to mention most famous—comedy duo of their era, performing hyperarticulate, mordantly hilarious sketches with an undertow of melancholy that appealed to both New York sophisticates (catching them at such nightclubs as the Blue Angel and later on Broadway) and the wider audience watching on TV. Despite her fame (and current status as a legend/icon), May’s early self-penned bio is an apt one: As a performer, writer, and director, she has created an indelible body of work while largely staying, as a person, out of the public eye—here but not here.

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